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…tent (excluding the guest posts) is copyright of www.vintagelensesforvideo.com – © www.vintagelensesforvideo.com 2018. All rights reserved. You may copy the content on this website for your personal use (e.g- your blog/website) but you must acknowledge the www.vintagelensesforvideo.com as the source of the material. You may not, except with my express written permission, distribute or commercially exploit the content from this website.   Affiliate… Continue Reading

Shooting “Milkshake” Web Series on Vintage Russian Lenses

Shooting “Milkshake” Web Series on Vintage Russian Lenses

…//www.facebook.com/milkshakeseries PERSONAL SITE: http://www.philabatecola.com/ COMPANY SITE: http://thesignalisstrong.com/ TWITTER: @phil_abatecola @findtheshake @distant_signal Thanks to Phil for sharing his experience. Make sure to check out his web series (links above). As a bit of a of a Russian lens “fanboy” myself, I’m rarely critical of them, so it’s nice to see a slightly different perspective and add another point of view to the subject…. Continue Reading

FM LENS | Anamorphic Focus Module | REVIEW

FM LENS | Anamorphic Focus Module | REVIEW

…Canon FD 50mm F1.4 + Roxsen Focal Reducer as a taking lens combo. https://www.youtube.com/watch?v=yoC0CtRqAFg Image Quality: The idea of FM is that it provides the single focusing ability any anamorphic lens inside it without affecting sharpness or character in any way and while it’s possible to create a combination that pretty much does just that, it’s not as straightforward as it sounds. It’s not only the combination of FM and anamorphic lens t… Continue Reading

PROSKAR-16 Anamorphic Lens Review

PROSKAR-16 Anamorphic Lens Review

…c projection lens. Most often the taking lens has to be stopped down to around F2.8-F4 for good enough results. That is certainly the case with PROSKAR, which is not great below F4. The sharpness is also affected by the taking lens used, so suitable F-stop depends on the lens used at the time, but as a rule of thumb F4 is the lowest f-stop I’d have when using this lens. It’s quite safe to say that this is not the sharpest anamorphic lens around, b… Continue Reading

Carl Zeiss Super Speed S16 Cine Lenses | In-Depth Overview

Carl Zeiss Super Speed S16 Cine Lenses | In-Depth Overview

…check out some footage from a film I shot with these lenses below. https://www.youtube.com/watch?v=rp_GMkIF5bw https://www.youtube.com/watch?v=tSrnU2Xitdo https://www.youtube.com/watch?v=YoBA3hh5GgE Conclusion: I absolutely love these little lenses and I think they are worth every penny, but if you are going to invest into something like this, then make sure that you use them. In over 2 years of owning my set I’ve only used them a few times becaus… Continue Reading

Zhongyi Mitakon 42.5mm F1.2 REVIEW

Mitakon 42.5mm F1.2 Review

…ite sure I would experience much more magic with such combination. https://www.youtube.com/watch?v=b-PAH7eywNo Talking about magic, this lens will not blow you away with character like a Helios 44-2 would, but it has enough character for a modern lens. I wouldn’t really expect any more from a lens like this and too much character could also be undesirable in many situations, so I wouldn’t necessarily want to spend $400 on a lens that flares too mu… Continue Reading

Introduction to LEICA-R lenses | Budget Buyer’s Guide

Introduction to LEICA-R lenses | Budget Buyer’s Guide

…/2.8 , Elmarit 35mm f/2.8 , Summicron 50mm f/2 , Summicron 90mm f/2 , Vario-Elmar 35-70 f/3.5 , Vario-Elmar 70-210 f/4 First of let me tell a bit about my background and why I decided to buy into Leica-land. I make commercials and music videos professionally (www.cinematik.se) as well as like short films for myself, all mostly shot with RED and Blackmagic cameras. As of now I’ve got seven Leica R lenses, five primes and two zooms, which I mostly u… Continue Reading

New Cameras-Old Glass | Lens Guide for E-mount Cameras

New Cameras-Old Glass | Lens Guide for E-mount Cameras

…video, make sure to live a youtube comment and also check out his work at www.khairilmbahar.com I do my best to make this website a great resource for people interested in vintage lenses, so I hope you’ve enjoyed this post and it will help you with your future lens choices. If find VLFV to be a useful resource, please check out my Patreon page to see if you can make a difference, but if you prefer the good old PayPal donations, you can do that he… Continue Reading

Tamron 24-48mm f/3.5-3.8 REVIEW

Tamron Adaptall-2 24-48mm

…ns which performs beautifully on full frame cameras, making it a great wide-to-mid range zoom. When used on a full frame camera at 24mm it’s about as wide as you need for most video work and 48mm provides a nice, natural looking mid- shot. While it’s not the fastest lens out there, it’s still faster than my former “go to” lens, the Canon 24-105mm f/4 L. I’ve actually compared these 2 lenses (see below) and the Tamron stacks up against the popular… Continue Reading

MIR-1 37mm F/2.8 REVIEW + TEST FOOTAGE

MIR-1 37mm F/2.8 REVIEW + TEST FOOTAGE

…lens was based on Carl Zeiss Jena Flektogon 35mm f/2.8 and unlike Helios 44-2 was not a complete clone, but using same optical formal as Flektogon 35mm f/2.8, which is definitely a good sign considering how much more affordable they are than just about any Zeiss glass. In 1958 Mir-1 received a prestigious Grand-Prix Award during the Brussels World Fair. Russians were probably so proud of the award that every Mir-1 lens produced since the 1958 Worl… Continue Reading