…tent (excluding the guest posts) is copyright of www.vintagelensesforvideo.com – © www.vintagelensesforvideo.com 2018. All rights reserved. You may copy the content on this website for your personal use (e.g- your blog/website) but you must acknowledge the www.vintagelensesforvideo.com as the source of the material. You may not, except with my express written permission, distribute or commercially exploit the content from this website. Affiliate… Continue Reading
…//www.facebook.com/milkshakeseries PERSONAL SITE: http://www.philabatecola.com/ COMPANY SITE: http://thesignalisstrong.com/ TWITTER: @phil_abatecola @findtheshake @distant_signal Thanks to Phil for sharing his experience. Make sure to check out his web series (links above). As a bit of a of a Russian lens “fanboy” myself, I’m rarely critical of them, so it’s nice to see a slightly different perspective and add another point of view to the subject…. Continue Reading
…Canon FD 50mm F1.4 + Roxsen Focal Reducer as a taking lens combo. https://www.youtube.com/watch?v=yoC0CtRqAFg Image Quality: The idea of FM is that it provides the single focusing ability any anamorphic lens inside it without affecting sharpness or character in any way and while it’s possible to create a combination that pretty much does just that, it’s not as straightforward as it sounds. It’s not only the combination of FM and anamorphic lens t… Continue Reading
…c projection lens. Most often the taking lens has to be stopped down to around F2.8-F4 for good enough results. That is certainly the case with PROSKAR, which is not great below F4. The sharpness is also affected by the taking lens used, so suitable F-stop depends on the lens used at the time, but as a rule of thumb F4 is the lowest f-stop I’d have when using this lens. It’s quite safe to say that this is not the sharpest anamorphic lens around, b… Continue Reading