Ever since I got into video/filmmaking, I’ve been dreaming about owning a set of cine lenses, however as you’ll know, they are not exactly affordable, which is partially why I got into vintage lenses as I find them to share a lot of qualities found in cine lenses. Fortunately, the release of BMPCC allowed me… Continue Reading
This shootout has been long time coming! I’ve collected quite a few vintage 20mm lenses in the last few years with Canon FD being my latest addition. I just sold my Pentax-A 20mm F2.8 and I decided that I have to do this shootout before I send it out to its new owner. It would… Continue Reading
My closer look at the Carl Zeiss Superspeed Super16 Cine Lenses continues with the Distagon 16mm T1.3 (F1.2) MKI. You might have seen my previous post about the 9.5mm and 12mm. If so a lot of what I’ll say later in this post might be familiar to you. Compatibility: Like a said already, this is… Continue Reading
I’m very excited to share an amazing guide to vintage lenses (above), put together by really talented filmmaker and simply a cool dude, Khairil Bahar. This one will be particularly interesting (but no limited) to Sony E-mount camera users, new to vintage lenses. Khairil talks a lot about how to get the best out of… Continue Reading
After spending quite a bit of money collecting and servicing a set of Carl Zeiss Superspeed MKI Super16 primes, I’m very pleased to share my thoughts and some footage I shot with them on my recent short film. In this blog post we’ll take a closer look at the 9.5mm and 12mm as these wider… Continue Reading
It’s great to see that there are a lot of like-minded filmmakers out there who also see the benefits of vintage glass and happily use it on their professional productions. Among these is a cinematographer Frank Glencairn, who a lot of you probably already know. But if you, don’t make sure to check out his… Continue Reading
